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  Home Studio Recording Equipment  

Just the very basics needed?
If you already have a computer, instruments, cables, mics etc. then to get started with the actual recording is not expensive at all, but around $200.00. The next two items are the most important. The Reaper software can be downloaded for free and even after the month trial period, the software still works. Just a bit of nag ware. The trial version is not cut down in any way and all functionality of the software is completely intact. The software license is very affordable. It's based on your income in the music world, and with some type of either USB mixer or input device, you're pretty much ready to start recording. Have to admit, it's not the easiest software to learn, but very logical once you start to get the hang of it. There is so much control in the software it takes a while to learn all these things, but certainly worth it. The next two items can produce very high quality recordings. Clicking on the images will direct you to where the items can be downloaded or purchased.

Main two items


Reaper Software - (DAW) Digital Audio Workstation
Next, the computer needed and the software that was chosen. The computer should probably have no less than a 2.2GZ dual core processor, 4GB of ram (larger amount of ram if running later versions of Windows or Mac software) with plenty of hard drive storage space to be able to write out multiple WAVE files for the different instruments being recorded. The software that was chosen was Reaper and will either run on a Windows PC or Mac system.

There is a bit of a learning curve using Reaper, but it's got very professional features and the vast amount of VST plugins (virtual digital sampled instruments) which are available everywhere on the net. A large number of them have no charge to download, use, and install them. Total track capacity is most likely ram and used effects related. But even using Windows XP with 4GB of ram, you can most likely get up to 32 tracks. More if using later versions of Windows with more ram. The Reaper Documentation can be found here.

When Reaper was first set up, there was an issue with which type of input USB device to use. Had a friend that had recently done an entire CD using Reaper as their main recording software, even though the final mix was done at a studio using 'Pro Tools'. This issue had to do with latency or delays when recording using the FX effects input to add tracks as a virtual instrument like brass or strings etc., via MIDI. These latency issues all disappeared when using a better USB device. So ended up using the Akai EIE for the USB input device, and all the latency issues disappeared.


The unusual looking input jacks accept XLR and 1/4" phone.
Click here for larger image. or here for back.

Akai Professional EIE Mixer
This is the USB input/output/MIDI device that was chosen due to the extremely low latency issues (timing delays) when recording, especially when using FX effects or MIDI Virtual instruments in record mode. Other than having a true multi channel USB/MIDI mixer, this is the next best thing if no more than 4 inputs or outputs are needed for recording at any one time. When looking at the back of this USB device, you can see the support for 3 more additional USB ports as well as MIDI in/out, plus 4 1/4" phone jacks for both input and output. There was no driver that needed to be loaded for this device, so other DAWs (Digital Audio Workstations) should be able to see and use this device easily, regardless of the Operating system and DAW being used.

High latency issues (timing delays) were experienced with both the Scarlett 2i2 and Tascam USB recording devices when using MIDI Virtual Instruments, FX effects or VST Plugins when in record mode. However, these units did very well in totally dry recording modes. But just the same, there are times when we would like to be able to record using these methods, so we will not use these USB devices.


Alesis 3630 Dual Channel Compressor - Limiter with Gate
Since its introduction, the 3630 Compressor has become the most popular dynamics processor ever made. The reason is easy to understand: it provides two independent full-featured compressor/ limiters in one rack space while offering excellent sonic quality for any application from studio recording to live sound or broadcast. The 3630 offers Ratio, Threshold, Attack, Release, and Decay controls to customize its compression response for even the toughest signals. You can also choose between RMS and Peak compression styles, plus Hard and Soft Knee dynamic curves for every application from subtle gain control to in-your-face punch.

As an independent dual-channel compressor, the 3630 offers separate controls for two different source signals. Plus, two fully independent gates with threshold and rate controls allow you to easily and efficiently stifle unwanted ambient noise. Other advanced dynamics processing features such as precise signal metering, a sidechain for keying or ducking effects and stereo linkable operation make the 3630 the most powerful compressor in its class.

19 Inch Rack Mount Alesis 3630 Dual Channel Compressor - Limiter with Gate

Can be acquired for around $60.00.
Click here for back view.


M-Audio Keystation 88es USB MIDI Keyboard Controller
The full range of a piano keyboard in a portable package.

The M-Audio Keystation 88es USB MIDI Keyboard Controller gives you great-feeling and semi-weighted action. The velocity sensitive keys convey all the nuances of your playing to your computer. The pitch and modulation wheels plus slider and buttons make it a great controller for playing and programming synths, samplers, drum sounds and more. At just 22 lb., the Keystation 88es is equally at home, onstage, and in the studio. Class compliancy with Windows XP, Windows Vista, Windows 7, and Mac OS X ensures easy plug-and-play setup. It's even bus-powered, so one simple USB cable is the only connection you need.

Click here for larger image.
For around $200.00
  1. Powered via USB or (9V DC adapter sold separately)
  2. 88 velocity-sensitive, semi-weighted keys
  3. Pitch bend and modulation wheels
  4. Volume/assignable control slider
  5. Advanced function button for programming
  6. Sustain and expression pedal inputs
  7. Assignable data up/down buttons
  8. Built-in USB MIDI interface
  9. MIDI out jack routes MIDI signals from keyboard or computer to external devices
  10. Mac OS X and Windows XP, Windows Vista, and Windows7 class compliant
  11. Includes Ableton Live Lite software


M-Audio Oxygen 25 - USB MIDI Controller
The Oxygen 25 USB/MIDI Keyboard Controller delivers next-generation functionality from M-Audio, an innovator in mobile music production technology. The 25-key Oxygen 25's control surface features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions including transport, mixer, track pan, and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box so there's no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that's perfect for laptop production, live DJ performance, triggering samples, or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use and extremely portable.

Click here for larger image.
  1. Bus-powered, 25-key USB MIDI controller
  2. Velocity-sensitive keys
  3. Ultra-mobile design
  4. 8 MIDI-assignable knobs control DAW and virtual instrument parameters
  5. dedicated transport and track select buttons means streamlined session control
  6. assignable slider gives quick access to Master Volume
  7. Pro Tools compatibility extends industry-standard functionality
  8. 6 dedicated transport controls
  9. MIDI-assignable slider
  10. dedicated track up/down buttons
  11. DirectLink mode automatically maps controls to common DAW parameters
  12. Factory presets map controllers to popular music software like: Xpand!2, Hybrid, Velvet, Strike, Oddity, ImpOSCar, Minimonsta
  13. Unique select buttons for on-the-fly step through of presets, program changes, and MIDI channels
  14. 4 velocity curves and 3 fixed velocity settings
  15. Sustain pedal input
  16. Class-compliant with Windows XP, Windows Vista, and Mac OS X
  17. USB bus powered

  Zoom R-16 USB Mixer

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Zoom R-16 USB Mixer
Some of the features of this mixer are; there are 2 built in microphones on inputs 7 and 8,  2 phantom powered inputs on 5 and 6, and the control surface feature which allows you to be able to control the sliders from the mixer itself, which also shows changes to the sliders in the (DAW) software. The inputs can accept either XLR mic inputs or 1/4" phone jacks. This mixer can also run on batteries or a power supply which can make this little mixer portable, not requiring a computer to store the data at all, but record directly to the Zoom itself. It can handle up to a 32GB SD card for storing recordings. At which which point at a later time you could easily transfer the WAV files directly to your computer. When plugged in directly to the computer, the USB supplied cable supplies both data and the mixer with power from the computer, not needing to use the external power supply at all. The mixer can record up to 8 channels simultaneously at any one time. This little mixer does not have EQ, but there are VST plugins for the DAW that have support for even good parametric EQ. Quite a few of them are free. There are drivers available for this hardware that run on both Windows and Mac computers.



Carvin CTM100 Tube Microphone   Requires Phantom Power
The CTM100 is perfect for recording both critical vocals and instruments. Achieve the warmest, fullest, smoothest sounding recordings ever. The dual diaphragm, multi-pattern design gives you 9 different settings to get the perfect sound every time. You will not need to EQ this mic - it sounds awesome right out of the box! The CTM100 features dual 1" gold sputtered 5 micron diaphragms in a special shock mounted capsule and a vacuum tube pre-amp, all suspended in a solid, handsome, machined casing. The included power supply assures constant voltage and current through a special gold plated 7-pin cable. The power supply also houses the control for your 9 different polar patterns including: omni, cardiod, figure-8, figure-6 and others. The shock-mount suspension virtually eliminates vibration and handling noise. If you want your recordings to sound as warm and full as your favorite artist, the CTM100 is the ultimate in classic sound reproduction.

Includes power supply with multi pattern control, 7 pin XLR input cable, travel case, foam windscreen, shockmount suspension, and carry pouch. Note: additional standard XLR mic cable is still needed to go out from power supply in to recording input.



DESCRIPTION: The Stedman Proscreen XL is a professional advanced pop filter for vocal applications. The Proscreen XL is made from our exclusive patented material that eliminates pops far more effectively than fabric filters. The Proscreen XL allows unobstructed passage of high frequencies helping to maintain the important detail in vocal recordings. In addition to its sonic advantages, the Proscreen XL can be easily washed between sessions. With the Proscreen XL in place, average recording signal levels can be maximized without the risk of clipping caused by bursts (extremely important with digital formats). The Proscreen XL has a large 6 inch diameter screen with rubber bezel and includes a 13 inch flexible gooseneck with an extended adjustable clamp to allow easy adjustment and placement. NEW! The Proscreen XL includes our improved clamping knob with nylon tip to prevent the scratching of equipment.

HOW IT WORKS: The angle of the large louvered openings in the Proscreen XL material allows sound to pass while diverting air bursts from vocal pops in a downward direction out of the back of the screen. Even extremely dynamic close vocal work will not allow bursts to reach the microphone. For the best results the Proscreen XL should be placed between the vocalist and the microphone with at least 2 inches between the screen and the microphone. The vocalist must be on the Stedman label side of the Proscreen XL to be effective. To clean, immerse the entire screen material into a mild solution of detergent and rinse with warm water. Wipe off excess water with a towel and allow to air dry before the next use. An antibacterial detergent may be used to increase effectiveness of cleaning.

Stedman PROSCREEN XL Specifications

  1. Screen diameter: 6 (15cm)
  2. Length: 26.5 (67.3cm)
  3. Weight: 10 oz.
  4. Clamp range: .39 (9mm) to .925 (23.5mm)



Blackstar (5 Watt) HT5 Tube Guitar Amplifier
We chose the Blackstar amp for it's tube design and ability to go directly to a line out without enabling the speakers, but still get that great tube sound. The Blackstar HT-5 tube guitar amp is ideal for studio work or practice, packing all the great tone and innovative features of the award-winning HT tube pedals into a 2-channel, footswitchable tube amp format. The Blackstar amp head's patent-applied-for ISF (Infinite Shape Feature) circuit gives you infinite adjustment over the characteristics of the tone control network and takes your tone from the USA to the UK and anywhere in-between. So now you can effectively design your own tone and finally find "that sound in your head."

Ideal for home and studio use, the Blackstar HT-5H tube amplifier head sounds full and toneful even at the lowest volume level thanks to a brand-new tube power amplifier topology designed by Blackstar engineers. The power amp is a low-powered, push-pull design which produces the crunch and breakup characteristics of a traditional 100W output stage but at a much lower volume.

Click here to see larger image.
Click here to see back of Amp

Carvin BX500 Tube Preamp Bass Amp
The BX500 is a sleek bass head with easy to read instrument knobs offering an array of features - 3 EQ sections, 12AX7 tube, high power and an ultralight 5.8 lbs chassis. Beneath the sharply dressed exterior, the BX500 has unsurpassed versatility, great power and useful features to help you get any sound you want. It's light weight, premium features and rugged construction will make the BX500 an indispensable part of your rig for years to come.

  1. 300w RMS at 8 ohms, 500w at 4 ohms and 500w at 2 ohms
  2. A rich, warm 12AX7 tube drives the Class D power amp
  3. A powerful 4-band, two sweep tone control section offers parametric frequency changes to the LOW MIDS and HI MIDS along with the BASS and TREBLE controls for unlimited number of options for dialing in your sound
  4. The 9-band graphic EQ is footswitch-able, as well as via a switch on the front plate for great control of your overall tone
  5. A single knob controls the optical compressor with an auto limiter to keep your peaks in check
  6. A Drive knob, plus Master Volume easily controls all your levels
  7. A conveniently located Mute switch and an Active/Passive switch tailors the input for different pickup configurations
  8. Two combination Speakon™ - 1/4" outputs, 2 ohm operation switch, footswitch, balanced XLR, tuner/headphone output, effects loop and tube bypass switch are located on the rear panel
  9. The CLASS D output feature high current, high speed FET’s for continuous 2 ohm operation
  10. The Switchmode power supply operates at 100,000 Hz delivering maximum efficiency while reducing weight
  11. The head runs cool from its 94% efficiency - no wasted heat or energy from the AC plug
  12. Auto-switching AC input for 120V 60 Hz or 240V 50 Hz
  13. Size: 14" wide x 9" deep x 2.8" high, with rackmount kit: 19" wide x 9" deep x 3.5" high
  14. Weight: 5.8 pounds
  15. Made in San Diego, CA

Carvin VT16 Vintage Tube Guitar Amp Head
The VT16 micro-head takes the great features and tone of the popular Vintage16 combo, and puts them in a compact head. This is the low-wattage, "boutique" recording tube amp so many players are looking for, and everything about this little amp oozes tone. The SOAK control goes from stout clean tones with rich midrange body to a filling upper-midrange snarl defining its tweed sound. The ALL tube design incorporates V1 12AX7 preamp and two EL84 output tubes. The power amp in its normal "PENTODE" mode puts out a crisp 16 watts. The "TRIODE" mode produces 5 watts of incredibly sweet spongy harmonics, ideal for both mic'd recording and small stage rigs. Wide bass, mid and treble control range, combined with classic long-tail digital reverb (not a spring reverb) puts an amazing range of sound at your fingertips. Selectable 8 ohm/16 ohm impedance switch, along with silent mode for line-out operation. Made to last, with a quality plywood enclosure covered in vintage tweed. A very strange issue with this amp is; the amp can make a strange buzz sound if the Reverb knob is not turned all the way down before shutting off the power switch. It's easy to overlook this design flaw after hearing the tone this amp makes. However, Carvin does need to get that fixed.

  1. All tube design - two 12AX7 preamp tubes, two EL84 output power tubes
  2. 1 Meg Passive tone controls for broad adjustment range.
  3. Front controls: SOAK, VOLUME, BASS, MID, TREBLE and REVERB
  4. Metal shaft controls, Ivory knobs, Red jewel lamp
  5. Strong plywood enclosure covered in thick tweed vinyl
  6. Output: 16 watts / 5 Watts, Pentode / Triode
  7. Parallel wired speaker jacks
  8. 8 ohm/16 ohm impedance switch with silent (internal load) mode
  9. CH EQ: 60, 650, & 11.5K Hz.
  10. Size: 16 inches wide x 8.5 inches deep x 8.25 inches high
  11. Weight: 18 lbs.
  12. Made in San Diego, California

Show back of Amp

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The drum machine chosen was the classic Alesis SR-16
233 drum and rhythm samples and ready for MIDI.
The SR-16 drum machine has been used by songwriters, live performers, and remix engineers, making it one of the most popular drum machines on the market. The reason is simple: it features a great selection of 233 realistic, natural drum sounds, offered both in dry form and sampled with Alesis' incomparable digital reverbs. Alesis' exclusive Dynamic Articulation feature enables a drum sound to change its tonal content as it's played harder for truly realistic performances. The SR-16 also features 50 preset patterns that were actually played in by top studio drummers, not just programmed and quantized.

With the SR-16, you'll find enough built-in rhythmic variations (with A, B, and two Fill sections) for composing complete arrangements, and you can create and save your own customized patterns and songs. Plus, the SR-16 also provides complete MIDI implementation, a footswitch input, flexible programming, and editing features and velocity-sensitive pad buttons. Plus, it's so easy to use that you'll be up-and-running and composing new music in minutes. Whether you need a songwriting partner or an accompanyist for live performance, you can find it in the SR-16.


Alesis DM7X Session Kit     This won't disturb your neighbors.
The Alesis DM7X Session Kit is loaded with premium Alesis sounds and cool extras, with the DM7X module as the heart of the kit. The realistic-feeling pads give you a natural playing experience, while the dual-zone snare lets you execute accurate rimshots. You even get a crash cymbal choke! The bass drum system has been improved for fast, quiet response. The robust, all-in-one drum rack has a wide stance with longer feet for excellent balance.

Alesis DM7X Session Kit at a Glance:
  1. 40 kits give you all the sounds you need
  2. Cool extras
  3. Everything you need in one package

40 kits give you all the sounds you need
In the Alesis DM7X Session Kit, the DM7X module is the brains of the operation, with 40 classic and modern ready-to-rock drum kits. You can easily tweak an existing kit, or create your own, drawing from 385 great drum, cymbal, and percussion sounds. TheDM7X is logically laid out, with drum and cymbal buttons arranged to resemble the placement of components in a traditional kit, so it's a simple matter to quickly assign sounds and create kits. A backlit LCD screen makes navigation a breeze, even in a dark area.

Cool extras
The DM7X module offers some cool extras, such as a built-in learning mode, 60 play-along tracks, and an onboard metronome that helps you improve your chops. There's even an advanced sequencer and a performance recorder to juice your music-making experience. You get USB MIDI plus traditional MIDI DIN I/O for connecting to your favorite MIDI-equipped drum machine, synth module, or other hardware. Of course, there's a headphone jack for private practice, plus you get two 1/4" phone jack outputs for stereo out when connecting to a PA, amplifier, or your recording interface. There's even a stereo 1/8" aux input that lets you jam along with your favorite songs on your media player.

Alesis DM7X Session Kit
Click here for larger view.
DM7X Module Settings Overview
See - List Of DM7X Module Sounds.

Everything you need in one package
The DM7X Session Kit sets up on a compact, robust two-post drum rack with a wide stance and long feet for absolute stability, no matter how enthusiastic your drumming. You get four Alesis 8" DMPads: three tom pads plus a special dual-zone snare pad that delivers realistic rim shot sounds. You also get three 10" cymbal pads (crash, ride, and hi-hat). The crash cymbal pad even gives you natural choking. The bass drum system includes the responsive, chain-driven Alesis X Kick pedal with an inverted beater for use with the incredibly silent StealthKick 2 trigger. Lastly, there's a cable snake provided for easy, neat connections from the drum module to your drum pads, cymbal pads, and pedals. The Alesis DM7X Session Kit gives you everything you need on one neat package. Rock on.

Alesis DM7X Session Kit Features
Complete, compact drumset with unified hardware and drum rack. Extremely responsive drum pads including a dual-zone snare, dynamic cymbal pads feature a crash cymbal with choke. Chain-drive kick pedal with silent, compact bass trigger. Advanced DM7X module with backlit LCD and intuitive layout 40 ready-to-play classic and modern kits. 385 drum and cymbal sounds, built-in sequencer, metronome, and performance recorder add versatility. Practice your skills with 60 play-along tracks or use the CD/MP3 aux input USB/MIDI connection for use with virtual instrument and recording software MIDI in and out ports for connecting directly to stand-alone MIDI gear Stereo outs connect to any sound system Headphone out for private practice.

19 Inch Rack Mount Lexicon MX200 Digital Delay

Can be acquired for around $200.00
Click here for back view.

Lexicon MX200 Digital Delay
The Lexicon MX200 2-channel multi-effects processor makes it easy to dial in great effects - onstage or in the studio! Being a Lexicon product, the rackmountable MX200 gives you the kind of great reverbs you expect, and then some. You also get great dynamic, modulation, and delay effects that let you go from fattening up your sound to making otherworldly textures (and everything in-between). You get the best of both worlds: this hardware box has a USB connection and an impressive VST interface that lets you go beyond the rack and bring your MX200 into your computer!

    Lexicon MX200 Effects Processor at a Glance:
  1. The control of a plug-in with the power of a hardware processor
  2. Intuitive front panel for live use
  3. Choose two simultaneous effects with flexible routing
  4. 99 presets plus 99 user locations

The control of a plug-in with the power of a hardware processor In the studio, engineers, producers and musicians no longer have to compromise between the instant control they enjoy with plug-in effects and the warm, complex depth of a dedicated hardware-based processor. They'll find both in the Lexicon MX200, which provides a USB interface with an intuitive cross-platform VST plug-in window, allowing the MX200 to function as a "hardware plug-in" within any VST-compatible workstation environment. This unique USB plug-in feature allows MX200 users to easily add legendary Lexicon effects to their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can enjoy the renowned Lexicon reverbs and effects.

Intuitive front panel for live use In live performance settings, the tactile senses will be satisfied as well, with the MX200's intuitive front panel design that indicates which two effects are active and provides independent control areas for each 24-bit processor. Three control knobs for each processor offer instant, precise and meaningful control over the most critical parameters for each effect.

Choose two simultaneous effects with flexible routing Users can choose two MX200 effects simultaneously in one of four routing modes: Mono Parallel; Mono Sum-to-Stereo; Stereo Serial; or Stereo Parallel. Other front panel controls include Input Level, Effects Mix, Balance, Audition (preview mode), Tap Tempo and Configuration.

99 presets plus 99 user locations The MX200's 99 carefully-crafted factory presets offer stunning reverbs and effects, with an additional 99 programmable slots that allow the user to make custom effects from dozens of effects types including halls, chambers, plates, slap and tape-type delays, dbx dynamics algorithms, and special effects like chorus, flange, tremolo and rotary.

The MX200 brings Lexicon's world-class effects into any studio or live venue in a neat, single-rackspace package, along with a unique VST user interface and convenient USB connection.

    Lexicon MX200 Reverbs:
  1. Small Hall
  2. Large Hall
  3. Small Plate
  4. Large Plate
  5. Room
  6. Chamber
  7. Gated
  8. Reverse
  9. Vocal Hall
  10. Vocal Plate
  11. Drum Hall
  12. Drum Plate
  13. Ambience
  14. Studio
  15. Arena
  16. Spring
    Lexicon MX200 Delays:
  1. Studio Delay
  2. Digital Delay
  3. Tape Delay
  4. Pong Delay
  5. Mod Delay
  6. Reverse Delay
    dbx Dynamics:
  1. Compressor
  2. De-Esser
    Lexicon MX200 Effects:
  1. Chorus
  2. Flanger
  3. Phaser
  4. Tremolo / Pan
  5. Rotary
  6. Vibrato
  7. Pitch Shift
  8. Detune
    Tech Specs
  1. Processor Type Multi-FX
  2. Number of Channels 2
  3. Presets - Factory 99 factory presets
  4. Presets - User 99 user presets
  5. Analog Inputs 2 x TRS
  6. Analog Outputs 2 x TRS
  7. Digital Inputs 1 x S/PDIF coax
  8. Digital Outputs 1 x S/PDIF coax
  9. Other I/O MIDI In/Out/Thru, Footswitch input
  10. Computer Connectivity USB
  11. Rackmount Spaces 1U
  12. Height 1.75"
  13. Depth 4.75"
  14. Width 19"
  15. Weight 3.75"
  16. Manufacturer Part Number LEXMX200

The V250 is a small-diaphragm FET condenser microphone   Requires Phantom Power
A true, pressure-gradient condenser cardiod pattern microphone that's a match for any singer.

The V250 is a small-diaphragm FET cardiod pattern condenser microphone which is good for a wide variety of applications, from vocals to room applications, to acoustic instruments. The capsule is equipped with a 17mm diaphragm of 6-micron Mylar on a 20mm OD backplate and is held together with a brass tension ring. Another really great thing about this mic, is you're able to do mod upgrades to it. There are kits out there to really improve the repsonse on this mic.

The MXL V250 gives vocals the right mix of power and polish. This true pressure-gradient condenser microphone delivers big, bold vocals with a presence that breaks through the rest of the tracks. And it has a detailed, articulate sound that makes subtle nuances shine. It's where force meets finesse. It's the perfect match for any singer, and it can't miss with acoustic guitars and pianos.

  1. Excellent microphone for all types of vocalists
  2. Detailed sound that highlights subtle nuances
  3. 10kHz presence peak that boosts vocals in a mix
  4. FET preamp that delivers a full-bodied sound
  5. Also great for acoustic guitars and pianos
  6. Microphone Clip, Cleaning Cloth, Manual

19 Inch Rack Mount Crown XLS 1000 Power Amplifier

Can be acquired for around $300.00.
Click here for back view.

Crown XLS 1000 Power Amplifier
Serious performance! Five decades of power amp innovation have been rolled into Crown's impressive new XLS Series of amplifiers. Each amplifiers features flexibility you'll appreciate, including multiple inputs, so you can plug in anything and play anywhere. First of all, these beasts each weigh less than 12 lbs. - compared to many 40-lb. competitors - yet they sport integrated crossovers, an advanced switched-mode power supply, and Peak-x limiters to protect your entire system. All in all, engineered to meet the most demanding of audio needs - yet priced to fit comfortably into any gigging band's budget - the XLS Series represents a powerful argument for flexibility, performance, and value.

At the heart of each XLS Series power amplifier - the XLS 1000, the XLS 1500, the XLS 2000, and the XLS 2500 - is the integrated DriveCore technology. Class D amps are known for their high efficiency and for being well suited to drive difficult, reactive loads... such as subwoofers. Yet, one problem Class D amps have is that they can suffer impaired performance when they're being fed by unstable AC lines. To overcome this issue, Crown came up with DriveCore - it's a hybrid analog-digital integrated circuit that provides an extremely wide tolerance of sagging or "dirty" AC line conditions. That means, even if you plug into an unreliable wall outlet, you can enjoy consistent performance without affecting audio quality. In short, demanding equipment like lighting rigs and backline gear won't interfere with the sound - as it should be.

Other features on the XLS 1000 - which you're looking at now - include Crown's PureBand Crossover System. With this system, you can vary the crossover frequency, choosing any point between 50Hz and 3kHz on 1/12 octave centers. And with four crossover modes to choose from, you know your needs will be covered. Finally, the XLS 1000 features Crown's Peak-x limiters to help you achieve higher SPL with less audible artifacts. What it comes down to, is that you'll enjoy less distortion, less shutdowns, and maximum safe power delivered to your important speaker investments.

Crown XLS 1000 Power Amplifier Features at a Glance:
  1. XLS High Performance, Lightweight Class D amp weighs less than 11 lbs.
  2. Integrated PureBand Crossover System for better performance and control.
  3. Peak-x Limiters provide maximum output while protecting your speakers.
  4. XLR, TRS 1/4", and RCA inputs provide outstanding flexibility.
  5. Connectivity Out - Wired or Banana Plug.
  6. Efficient forced-air fans prevent excessive thermal buildup.
  7. Electronically balanced XLR inputs; touchproof binding post and Speakon outputs.
  8. Precision detented level controls, power switch, power LED, and six LEDs which indicate signal, clip and fault for each channel.
  9. Provides 215W per channel at 8 ohms, 350W per channel at 4 ohms, and 700W at 8 ohms bridged.

JBL N26 Northbridge Monitors Great match with the Crown Amp.
Maximum 125 Watts per channel at 8 ohms and fused.

  1. Speaker System Type left / right channel speakers
  2. Grille Material Fabric
  3. Manufacturer Harman
    Speaker System
  1. Detachable Grilles Yes
  2. Amplification Type passive
  3. Crossover Channel Qty 2-way
  4. Max (RMS) Output Power 125 Watt
  5. -3dB Frequency Response 55 Hz
  6. Nominal Impedance 8 Ohm
  7. Sensitivity 88 dB
  8. Crossover Frequency 3kHz
  9. Connectivity Technology wired
  10. Additional Connectivity Banana Plug
    Compatibility | Accessories
  1. Type none
  1. Color black
  2. Color Category black
  3. Body Material plastic

  1. Brand JBL Product Line
  2. JBL Northridge Model N26
  3. Localization English
  4. Packaged Quantity 1
    Speaker System Details
  1. Nominal (RMS) Output Power 125 Watt
  2. Frequency Response 55 Hz
  3. Input Impedance 8 Ohm
    Speaker Driver Details
  1. Driver Type mid/woofer driver, tweeter driver
  2. Driver Qty 1
  3. Driver Diameter 0.75 m, 6 m
  4. Driver Diameter (metric) 152 mm, 19 mm
  5. Driver Material titanium
  6. Driver Technology/Design PolyPlas
    Dimensions & Weight
  1. Width 10.7 in
  2. Depth 7.8 in
  3. Height 14.5 in
  4. Weight 8.38 lbs
    Service & Support
  1. Type 5 years warranty

Purchased used for around 115.00 each.

Purchased new for around 99.00.

Fender Rumble 25 - 25W 1x8" Bass Combo Amp - Really great sound.
25-watt 1x8" Bass Combo Amp with Overdrive.

The Rumble 25 combo's sound-shaping tools let you sculpt the sound, including contour and a 3-band EQ. These give you a lot of flexibility to find your signature sound. Need a little extra teeth for a particular song or passage? The Rumble 25's built-in overdrive has your back.

The Rumble 25 combo helps you practice. It's stuffed with a handy aux input that you can plug your iPod, laptop, drum machine, or other practice gear into. And there's an 1/4" headphone jack, so you can practice late into the night. A single 8" speaker for serious punch.

Fender loaded the Rumble 25 with a single 8" speaker - the perfect choice for making and maintaining punch while keeping the volume at bay.

Fender Rumble 25 Bass Combo Amp Features:

  1. A basement-friendly 25 watts for practice, small halls, and studio use.
  2. Headphone output that defeats speaker use and can be used as line out.
  3. Vintage vibe with modern features
  4. Sound-shaping and more
  5. Overdrive for extra aggression
  6. Light weight, only 21 pounds
  7. Full and clean at the bass end
  8. Height 15.25" - Width 15.25" - Depth 11"
  9. Schematics included

  Effects Pedals
  1. Vox V847-A Classic Reissue Wah Pedal
  2. Boss DD7 Digital Delay Pedal
  3. Boss BP3 Flanger Pedal for Guitar and Bass
  4. Boss MT2 Metal Zone Distortion Pedal
  5. Boss SD1 Overdrive Pedal
  6. Roland EV5 Expression Pedal
  7. Ernie Ball VP Jr. 6180 Volume Pedal
  8. Boss NS-2 Noise Suppressor Pedal
  9. Dunlop Cry Baby 105Q Bass Wah Pedal
Common size guitar string sets.

      Heavy: .012 .016 .020 .032 .042 .054
      Medium: .011 .015 .018 .026 .036 .050
      Light: .010 .013 .017 .026 .036 .046
      Super light: .009 .011 .016 .024 .032 .042
      Extra super light:.008 .010 .015 .021 .030 .038
This page was last modified on Wednesday November 29, 2017
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